Creating a Map

Looking at the maps of other writers' created worlds is one of my favorite parts of digging into a new fantasy series. Lately, that has been Osten Ard (Williams) and the Realm of the Elderlings (Hobb).
I imagine having my own beautifully drawn map someday, inserted in my books and framed up and proudly displayed in my house.

Tolkien's, Flanagan's, and Martin's worlds are recognizably European, with pseudo-British Isle home bases. I love these fictional realms, but I wanted to do my own thing. I wanted the land to feel more like the land I know and love.

I was inspired by the cleft of the Mississippi River valley, especially on trips to Winona to see Shakespeare at the GRSF. I was inspired by all the windbreaks on homesteads and farms across the sweep of the Great Plains. I was inspired by the badlands and the North Shore and the deep forests up north. My land is this land...

http://www.airum.org/

So, the upper Midwest. But medieval.

When I started writing, I had very little of the created world in my mind. I knew there was a castle, and I knew that castle was built against a cliff at the convergence of two rivers. I imagined the river continuing southward to an eventual sea. I imagined a trio of mountain countries to the north of the castle. And I knew Lio and Lamb were not originally from this castle or its town.

Over the past two years, but especially this summer, the Realm of Aelland has slowly evolved into this:

Look closely and you can see the following features:

* The land is split by the massive Aco River, Mississippi-like in its flow.
* To the west of the river, "Round Villages" of the broad Aco Plains spread out to the coast.
* The northwest is my Badlands, and the northeast is my Northwoods.
* I've included mountains in the north as a sort of boundary and along the east side of the Aco River as a break before the desert. I have no plot in mind for the desert, but I didn't want the plains to continue eastward, and the mountains would affect climate. A desert seemed proper, in any case.
* There is an enormous lake-like bay on the southwest coast.
* A massive curved, paved road crosses the realm from coast to coast, touching nearly all climates and landscapes.

I am happy with most of it, though it seems a little too lumpish.

One of my favorite places is the sacred Isles of Mourning on the southwest tip. I'm not even planning to go there. It's just a part of the country that presented itself to me, the same way characters sometimes present their quirks and personalities to me as I write. I didn't so much invent the place as discover it.

It turns out that there are plenty of artists who specialize in map-making, and for a fair fee they would turn my rough sketch into a lovely map. But I'm not ready yet. As my characters travel, more place names are added. And I have no idea how the world will evolve in the third, entirely unimagined book in the series. I'm pretty sure the characters travel north, into the mountainous Bardlands. But I won't know what they will find there until they hit the road.

Why I Want to Go to Comic-Con (Someday)

Unfortunately for the progress of my novel, much of August was filled with more creative procrastination. Many of the author panels from Comicon San Diego 2017 have been uploaded to YouTube, and I spent some -- cough, too much, cough -- time enjoying them.

Of course I enjoyed seeing some of my favorite authors speak about their craft and process and upcoming work, but I also "met" some fabulous new authors. For example...

The Martian author Andy Weir (I recommended that book to so many people long before the movie came out)
and my new favorite author person Claudia Gray. 

It's not so much that I'm fangirling, although there is some of that. It's more that I want to be them, published by a major imprint and sitting on a panel next to Andy and Claudia and everyone else in San Diego answering questions with funny anecdotes that make the audience laugh.

This is not a new fantasy...

Before my first book was even published, I was invited to speak at the North Dakota Reading Association Convention in Fargo. My talk was more about self-publishing than SPOTD, but the experience hooked me. At each main session (when they were feeding us), I was seated at the authors' table next to serious, published authors. I felt special. And my fellow authors were wonderful. I wanted more.

That summer my book actually came out, and I immediately tracked down the rules for getting a table in the convention hall at San Diego Comicon. It turns out they have a small section reserved for Comicon newbies, and I thought I fit the bill. So I sent in my registration/application along with the requisite copies of my book. While I waited for my eventual rejection letter, I dreamed about sitting on a folding chair at a wobbly little table in a corner at the very back of the hall and seeing Steven Spielberg or Nathan Fillion or Neil Gaiman walk past. It was probably more about having a backdoor pass to the show than being a part of the show at that point.

Although I wasn't selected for a table, I am glad I tried. In retrospect, I would have been so far out of my depth there back in 2011. But you can't get what you don't ask for, and I'm glad I asked.

While I listened to the 2017 panels, I opened a second window, read about the featured authors' books online, and then (when my resistance was low) ordered them or (when a calmer head prevailed) requested them from my local library.

A few favorites:

Space... The Final Escape Panel
     A fascinating look into the minds that create hard sci-fi. I learned that I will probably never attempt the genre, as the technical expertise needed is daunting. So much respect for those who can and do. These are the kind of nerds I love: passionate about the getting the details right.

Lucasfilm Publishing: New Star Wars Panel
     Although I love Star Wars, I almost skipped this video. I always assumed that novelizations of movies were hack jobs. I'm glad I watched this and learned that I was wrong. Lucasfilm Pub has hired serious talent to expand the Star Wars universe.

Genre-Blending: How and Why?
    I only made it halfway through Red Rising, but my sister loves the series. Could this be part of the reason?

Pierce Brown. 

As nice as it is to watch the uploaded videos, I am aware that not all panels were taped. Panels like this one:

What's Hot in Young Adult Fiction

• The seventh edition of this panel is one of the best ever! It features Jennifer Armentrout (The Problem with Forever), S. Jae-Jones (Wintersong), Lish McBride (Pyromantic), Brendan Reichs (Nemesis), Beth Revis (Star Wars: Rebel Rising), Megan Whalen Turner (Thick as Thieves), Kiersten White (And I Darken), and Nicola Yoon (Everything, Everything). That's Sunday at 1:00pm in 29AB. Hosted by Nathan Bransford.

So despite lovely Youtube access to many of the author panels, going to San Diego is definitely still on my bucket list, whether as an artist or attendee. Even though you hear stories about lines that stretch around the block to get into certain panels, I don't think that would be an issue. Most of the wide panning shots at these author panel venues revealed half-empty rooms. How ironic. The backbone of the con is actual comics + sci-fi/fantasy books. But film/television and celebrities seem to be the bigger draw.

Another irony: At our humble Nerdcon: Stories in Minneapolis, those rooms would have been overstuffed. Lines around the block. These are the story-loving nerds' biggest celebrities.